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The Cramps were an American band formed in 1976 and active until 2009. Their lineup rotated frequently during their existence, with the husband-and-wife duo of singer and guitarist Poison Ivy the only ever-present members. The band are credited as progenitors of the subgenre, fusing elements of with . The addition of guitarist and drummer Pam Balam resulted in the first complete lineup in April 1976. They released their debut album Songs the Lord Taught Us in 1980. The band split after the death of lead singer Interior in 2009. The Wild Wild World of The Cramps: Ian Johnston, Omnibus Press, 1990


History

1970s
(born Erick Lee Purkhiser) and Poison Ivy (born Kristy Marlana Wallace) met in Sacramento, California, in 1972. In light of their common artistic interests and shared devotion to record collecting, they decided to form the Cramps. Lux took his from a car ad, and Ivy claimed to have received hers in a dream (she was first Poison Ivy Rorschach, taking her last name from that of the inventor of the Rorschach test). In 1973, they moved to Akron, Ohio, and then to New York in 1975, soon entering into CBGB's early punk scene with other emerging acts like Suicide, the , , Television, Blondie, , , and fellow Ohio transplants . The lineup in 1976 was Poison Ivy Rorschach, Lux Interior, (guitar), and his sister Pam "Balam" (drums).

In a short period of time, the Cramps changed drummers twice; (later of , the Zantees, and and co-owner of ) replaced Pam Balam, and (formerly with the Electric Eels) replaced Linna in September 1977. In the late 1970s, the Cramps briefly shared a rehearsal space with , and performed regularly in New York at clubs such as and Max's Kansas City, releasing two independent singles produced by at in Memphis in 1977 before being signed by Miles Copeland III to the young I.R.S. Records label. Their first tour of Great Britain was as supporting act to on that band's first UK tour promoting Outlandos d'Amour.

In June 1978, they gave a landmark free concert for patients at the California State Mental Hospital in Napa, recorded on a Sony video camera by the San Francisco collective and later released as Live at Napa State Mental Hospital. Once back to the east coast, they played the revamped 1940s club "The Meadowbrook" in New Jersey, which had a huge stage and dance floor. Next they recorded two singles in New York City, which were later re-released on their 1979 EP, before Chilton brought them back that year to Memphis to record their first full-length album, Songs the Lord Taught Us, at Phillips Recording, operated by former label owner .


1980s
The Cramps relocated to Los Angeles in 1980 and hired guitarist Kid Congo Powers of . While recording their second LP, Psychedelic Jungle, the band and Miles Copeland began to dispute royalties and creative rights. The ensuing court case prevented them from releasing anything until 1983, when they recorded Smell of Female live at New York's Peppermint Lounge; Kid Congo Powers subsequently departed. Mike Metoff of (cousin of Nick Knox) was the final second guitarist – albeit only live – of the Cramps' pre-bass era. He accompanied them on an extensive European tour in 1984 (that had been canceled twice because they could not find a suitable guitarist) which included four sold out nights at the Hammersmith Palais. They also recorded performances of "Thee Most Exalted Potentate of Love" and "You Got Good Taste" which were broadcast on A Midsummer Night's Tube (1984). Smell of Female peaked at No. 74 in the UK Albums Chart.

The band appears in the 1982 film Urgh! A Music War.

In 1985 the Cramps recorded a one-off track for the horror movie The Return of the Living Dead called "Surfin' Dead", on which Ivy played bass as well as guitar. With the release of 1986's A Date With Elvis, the Cramps permanently added a bass guitar to the mix, but had trouble finding a suitable player, so Ivy temporarily filled in as the band's bassist. joined them on the world tour to promote the album. Their popularity in the UK was at its peak as evidenced by the six nights at Hammersmith in London, three at the Odeon (as well as many other sell out dates throughout the UK) and then three at the Palais when they returned from the continent. Each night of the tour opened with the band coming on one at a time each: Knox, Fur, Ivy and then Lux before launching into their take on Elvis' "Heartbreak Hotel". The album featured what was to become a predominating theme of their work from here on: a move away from the B-movie horror focus to an increased emphasis on sexual double entendre. The album met with differing fates on either side of the Atlantic: in Europe, it sold over 250,000 copies, while in the U.S. the band had difficulty finding a record company prepared to release it until 1990.

(2025). 9780859653688, Plexus.
It also included their first UK Singles Chart hit: "Can Your Pussy Do the Dog?"
(2025). 9781904994107, Guinness World Records Limited.
(2025). 9781841950174, Mojo Books.

It was not until 1986 that the Cramps found a suitable permanent bass player: Candy del Mar (of Satan's Cheerleaders), who made her recorded debut on the raw live album RockinnReelininAucklandNewZealandxxx. This was followed by the studio album Stay Sick! in 1990, which spent one week at No. 62 in the UK Albums Chart in February of that year.


1990s
Candy del Mar and left the band in 1991. The Cramps hit the Top 40 in the UK for the first and only time with "Bikini Girls with Machine Guns"; Ivy posed as such both on the cover of the single and in the for the song. The Cramps went on to record more albums and singles through the 1990s and 2000s, for various labels. When the band signed to The Medicine Label, a Warner Brothers imprint, in 1994 – the label made the announcement via a limited edition (500 copies) 12" live album of the Cramps' first two Max's Kansas City shows, given away to all ticket holders as they exited a secret CBGB show in early January of that year.

In 1994, the Cramps made their national US television debut on Late Night with Conan O'Brien performing "Ultra Twist".

In 1995 the Cramps appeared on the TV-series Beverly Hills, 90210 in the Halloween episode "Gypsies, Cramps and Fleas". They played two songs in the episode: "Mean Machine" and "Strange Love". Lux Interior started the song by saying "Hey boys and ghouls, are you ready to raise the dead?".

In honor of the success of the Cramps, the Rock and Roll Hall of Fame has on display a shattered bass drum head that Lux's head went through during a live show.


2000s
On January 10, 2001, Bryan Gregory died at Anaheim Memorial Medical Center of complications following a heart attack. He was 49.

In 2002, the Cramps released their final album, Fiends of Dope Island, on their own label, Vengeance Records. That same year, Lux Interior did a voiceover for the lead singer character of the band The Bird Brains on the animated TV show SpongeBob SquarePants singing 'Underwater Sun.' The song was written and composed by Stephen Hillenburg and Peter Strauss.

The Cramps played their final shows in Europe in the summer of 2006 and their last live show was on November 4, 2006, at the in Tempe, Arizona.

On February 4, 2009, Lux Interior died at the Glendale Memorial Hospital after suffering an aortic dissection which, contrary to initial reports about a pre-existing condition, was "sudden, shocking and unexpected".


Style and influences
The Cramps' music is played at varying tempos, with a minimal drumkit. An integral part of the early Cramps sound was dual guitars, without a . The focus of their songs' lyrical content and their image was camp humor, sexual double-entendre, and horror/sci-fi iconography. Their sound was heavily influenced by early , such as AKA The Phantom, whose 1958 single 'Love Me' they covered, rhythm and blues, and rock and roll like and , 1960s acts such as and , 1960s artists like , , the Green Fuz and , as well as the post-/early scene from which they emerged, as well as citing as being an influence during numerous interviews. They also were influenced by the and Screamin' Jay Hawkins. Poison Ivy stated, "The failure of outsiders to acknowledge the influence of and R&B on The Cramps is an omission bordering on racism. Rockabilly is rooted in the blues and we consider ourselves a blues band."
(2025). 9780859653688, Plexus.

The band used the phrases , and "rockabilly voodoo" to market their music. The term "psychobilly" was first used in the lyrics to the song "One Piece at a Time", written by for , which was a Top 10 hit in the United States in 1976. The lyrics describe the construction of a "psychobilly Cadillac using stolen auto parts." The Cramps have since rejected the idea of being a part of a psychobilly subculture, noting that "We weren't even describing the music when we put 'psychobilly' on our old fliers; we were just using terms to drum up business. It wasn't meant as a style of music." Nevertheless, The Cramps, along with artists such as Screamin' Jay Hawkins, are considered important precursors to psychobilly. Critics and journalists classified the Cramps' sound as psychobilly, gothabilly,

(2025). 9781317962977, Taylor & Francis. .
garage punk,
(2025). 9781604739695, Univ. Press of Mississippi. .
rockabilly, ,
(2025). 9780313393488, ABC-CLIO. .
, punk rock and surf.

The Cramps have been cited as an influence by musicians including 45 Grave, the Nomads,[1] Zombina and the Skeletones, ,Strong, Martin C. (1999) "The Great Alternative & Indie Discography", Canongate, Creeper, the Black Keys, the White Stripes, the Sisters of Mercy,
My Bloody Valentine,

(2025). 9780826415486, Continuum.
Faith No More and Southern Culture on the Skids.


Members
Final lineup
  • (Erick Purkhiser) – vocals, harmonica, percussion
  • Poison Ivy (Kristy Wallace) – guitar, theremin, bass
  • Harry Drumdini (Harry Meisenheimer) – drums


Discography

Studio albums
  • Songs the Lord Taught Us (1980, )
  • Psychedelic Jungle (1981, I.R.S.)
  • A Date with Elvis (1986, Big Beat)
  • Stay Sick! (1990, )
  • Look Mom No Head! (1991, Enigma)
  • (1994, The Medicine Label)
  • Big Beat from Badsville (1997, )
  • Fiends of Dope Island (2003, Vengeance)


Further reading
  • The Wild Wild World of the Cramps by Ian Johnston, 1990, Omnibus Press,


External links

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